
Australian Aboriginal art is one of the oldest living art forms, dating back 80,000 years. The art form is deeply rooted in the Dreamtime, narrating the stories of the artist's Dreaming, where supernatural beings travelled across the land, creating everything and establishing the social and religious customs central to Aboriginal identity. The art form has been used to convey important cultural stories through generations, with symbols and icons used to convey knowledge of the land, events and beliefs, as well as survival techniques. The use of symbols allowed for the preservation of culture and knowledge, with certain symbols retaining the same meaning across regions. The enduring nature of Australian Aboriginal art has led to a revival and greater understanding of the culture, with collectors finding a deep connection to the powerful stories told through the art form.
| Characteristics | Values |
|---|---|
| Storytelling | Passing on knowledge of the land, events, beliefs, survival skills, and use of the land |
| Visual communication | Using symbols and icons to convey important cultural stories and ancestral ties |
| Oral storytelling and song | Using oral traditions to share stories, songs, and knowledge |
| Ceremonial design | Creating art on ceremonial articles and clothing |
| Wood carvings | Carving wood into animals and other shapes to tell stories and pass on lore |
| Bark painting | Using ochres to paint on bark stripped from trees |
| Rock art | Painting and engraving on rocks using ochres and other natural pigments |
| Basket weaving | Weaving baskets and other objects from organic materials |
| Shell pendants | Creating shell jewellery with hand-made string |
| Kalti paarti carving | Carving emu eggs |
| Watercolour painting | Using watercolours to paint landscapes and other subjects |
| Sandpainting | Creating intricate designs in sand |
| Body paint | Painting the body with ochres and other natural pigments |
| Diversity of styles and techniques | Including rock painting, dot painting, rock engravings, carvings, sculptures, weaving, and string art |
| Ancient origins | Dating back tens of thousands of years |
| Connection to the land | Communicating a deep connection to the land and country |
| Dreamtime | Narrating stories of the artist's Dreaming, where supernatural beings shaped the world and established customs |
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What You'll Learn

The art's ancient origins and enduring history
Australian Aboriginal art is one of the oldest living art forms, dating back 80,000 years. It is the oldest unbroken tradition of art in the world, with evidence of Aboriginal culture found in rock art dated back at least 20,000 years. The art forms of Australia's First Peoples are diverse, ranging from rock art and engravings to paintings and string art.
The ancient origins of Australian Aboriginal art lie in the use of symbols and icons to convey cultural stories and knowledge of the land, as there was no written language at the time. These symbols were often drawn in the dirt or sand together with songs and stories and served as a way to communicate ancestral ties and a deep connection to the land. The art was also used to convey important information about survival, such as the location of food and water sources.
The traditional visual symbols and styles vary widely among the different peoples' traditions, despite the common perception that dot painting is representative of all Aboriginal art. The choice of colour in Aboriginal art is often an identifying feature of a particular style or community. For example, the Papunya Tula school of painters is known for its use of soft earth colours, while other Western Desert communities opt for strong primary colours.
The history of Australian Aboriginal art is enduring, with many culturally and historically significant sites of rock paintings and carvings that have survived over time. However, many of these sites have also been degraded, destroyed, or vandalised by early settlers, modern-day visitors, and acts of vandalism. In recent years, there has been a revival and increased appreciation for Aboriginal art, with collectors finding a deep connection to the powerful stories conveyed through each piece.
The contemporary Aboriginal art movement has played a significant role in bridging the gap between Aboriginal culture and Western culture, fuelling interest in preserving Indigenous culture. The use of canvas and board in Aboriginal art commenced merely 50 years ago when a school teacher, Geoffrey Bardon, encouraged Aboriginal men to paint their stories onto these Western facades. This began the famous Aboriginal art movement, with the artwork from the Papunya Tula School of Painters gaining popularity and influencing other communities to join the movement.
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The use of art to communicate stories and knowledge
Australian Aboriginal art is one of the oldest living art forms, dating back 80,000 years. It is deeply rooted in storytelling, serving as a means to communicate and preserve cultural stories, knowledge, and traditions across generations. This art form holds significant value as it fills the role of a written language, which does not exist in Aboriginal culture.
Aboriginal art often conveys stories of cultural significance, survival techniques, and knowledge about the land. For example, knowledge of water sources and bush tucker locations are drawn onto maps, alongside Songlines or Dreaming tracks laid down by spirit ancestors. These maps, often created using a bird's-eye view, are characteristic of a hunter-gatherer society, aiding in tracking animals and finding sources of life.
The use of symbols and icons in Aboriginal art is a unique form of visual communication, allowing for the preservation and transmission of important cultural knowledge. These symbols can vary in meaning across different regions and contexts, with certain symbols retaining the same meaning across regions. For instance, the circles within circles symbol can be depicted in various ways, either sparsely or in clustered groups.
The choice of colours in Aboriginal art is also significant, with specific colour palettes identifying particular styles or communities. For example, Papunya Tula is known for its use of soft earth tones, while other Western Desert communities opt for strong primary colours. The introduction of acrylic paints in the 1980s by Warlpiri people brought a wider range of modern colours to the art form, with the increased participation of Aboriginal women artists contributing to the advent of bright desert paintings.
Aboriginal artists often require permission to paint particular stories, and their artwork has become a vital source of income and pride for many remote communities. The art form has also served as a bridge between Aboriginal culture and Western culture, fostering greater interest in preserving Indigenous culture and sharing knowledge with the outside world.
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The role of art in ceremony and cultural identity
Art has played a significant role in the ceremonies and cultural identity of Australian Aboriginal communities for tens of thousands of years, making it the oldest unbroken tradition of art in the world.
Aboriginal art has served as a means of communication and storytelling, conveying cultural stories, knowledge of the land, events, and beliefs through symbols and icons. The use of symbols allowed Aboriginal people to record important information about their country, customs, and survival skills in the absence of a written language. These symbols were used in rock art, body paint, sand paintings, and carvings, often in conjunction with songs and oral storytelling.
One example of the role of art in Aboriginal ceremonies is the use of shell pendants and jewellery, which were considered high-value items and often used for trading goods. These shells were attached to string made from human hair and covered with grease and red ochre. They were worn by men during ceremonies and were also used to adorn ceremonial clothing.
Wood carvings, such as those shaped like animals, were also used in ceremonies and to help tell Dreaming stories, passing on lore and essential information about customs and the land. The Dreaming stories are narratives of the artist's Dreaming, where supernatural beings travelled across the land, creating everything and establishing the social and religious customs central to Aboriginal identity.
The creation of art has also become a vital source of income and a point of pride for many remote Aboriginal communities, helping to bridge the gap between Aboriginal culture and Western culture. The sharing of art and stories has opened up a two-way education between Aboriginal and non-Aboriginal communities, fostering a greater understanding and appreciation of Aboriginal culture and history.
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The evolution of art forms and adoption of new mediums
Australian Aboriginal art is the oldest unbroken tradition of art in the world, with evidence of Aboriginal culture found in rock art dated back at least 20,000 years. The evolution of Australian Aboriginal art has seen a range of mediums and forms used over time, from rock art and engravings to paintings, sculptures, and string art.
The traditional forms of Australian Aboriginal art included rock paintings, carvings, and body paint, with symbols and icons used to convey cultural stories and knowledge in the absence of a written language. These artworks were created using natural pigments, such as ochre or iron clay, to produce colours like red, yellow, white, and black. The earliest European discovery of Aboriginal rock art was in Tasmania around 1800, and other sites have since been found in Victoria and New South Wales, showcasing the enduring nature of this ancient art form.
In the 1930s, watercolour painting was introduced to Aboriginal artist Albert Namatjira, who became the first Indigenous Australian watercolourist. His landscape paintings were immediately successful, and he inspired other Indigenous artists in the region, collectively known as the Hermannsburg School or Arrernte Watercolourists. This marked the adoption of new mediums and the evolution of Australian Aboriginal art, demonstrating its adaptability and enduring appeal.
In the 1970s, the Papunya Tula School of Painters emerged, and Aboriginal art gained popularity in Western culture. During this time, Aboriginal artists began using canvas and board to paint their stories, a significant shift from traditional rock art. Geoffrey Bardon, a teacher working with Aboriginal children in Papunya, encouraged this transition by asking the children to paint their stories on these new surfaces. This led to the famous Aboriginal art movement, with artists using symbols and double-dotted imagery to disguise sacred designs and meanings known only to their people.
In the 1980s, the Warlpiri community started experimenting with acrylic paints, and more Aboriginal women artists began to emerge. This decade saw a wider range of modern colours being chosen, and bright desert paintings entered the market. The choice of colour often became an identifying feature of particular artistic styles or communities, with Papunya Tula known for its soft earth tones and Western Desert Communities favouring strong primary colours.
The evolution of Australian Aboriginal art demonstrates its ability to adapt and thrive while preserving its deep cultural significance. The adoption of new mediums and techniques has ensured the endurance and global recognition of this ancient art form.
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The impact of Western influence and the art market
The introduction of Western influence and the art market has had a significant impact on Australian Aboriginal art. In the 1930s, watercolour painting was introduced to Aboriginal artist Albert Namatjira, who became the first Indigenous Australian watercolourist and successfully sold his works to the non-Indigenous community. This marked a shift towards Aboriginal artists adopting Western art forms and engaging with the art market.
During the same period, exhibitions featuring Aboriginal art, such as the 1929 exhibition "Australian Aboriginal Art", began to emerge, showcasing bark paintings, rock carvings, and other forms of Aboriginal art. These exhibitions played a crucial role in fostering appreciation for Aboriginal aesthetics and cultural narratives.
In the 1970s, the Papunya Tula School of Painters emerged, with artists using Western canvases to create their works. This movement popularized Aboriginal art globally and sparked interest in preserving Indigenous culture. Geoffrey Bardon, a teacher who worked with Aboriginal children, encouraged the use of canvases and boards to paint their stories, marking a significant transition from traditional mediums to Western ones.
The involvement of the art market has also influenced the evolution of Aboriginal art. The demand for authentic forms of Aboriginal art has increased, and the choice of colours has become an identifying feature of particular styles and communities. For example, the Papunya Tula community is known for its use of soft earth tones, while Western Desert communities favour strong primary colours. The introduction of acrylic paints and modern colours has expanded the artistic possibilities for Aboriginal artists.
Additionally, the art market has contributed to the economic empowerment of remote Aboriginal communities. Art has become a vital source of income and a source of pride for these communities. The record-breaking sales of Aboriginal artworks, such as "Earth's Creation" by Emily Kame Kngwarreye, which sold for $1.056 million in 2007, highlight the growing recognition and value of Aboriginal art in the global art market.
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Frequently asked questions
Australian Aboriginal art is one of the oldest living art forms, dating back 80,000 years. It includes a wide range of media, such as rock art, bark painting, wood carving, sculpting, ceremonial clothing, and sand painting. The art form uses symbols and icons to convey cultural stories, knowledge of the land, events, and beliefs, as there was no written language for Aboriginal people.
Australian Aboriginal art has evolved from rock wall paintings and body paint to being drawn on canvas and boards. In the 1930s, watercolour painting was introduced to Indigenous Australians, and in the 1970s, the Papunya Tula School of Painters emerged, popularising the use of modern materials and colours. The choice of colour often identifies a particular style or community, with Papunya Tula known for its use of soft earth tones and Western Desert Communities opting for primary colours.
Australian Aboriginal art has gained recognition and popularity in Western culture, with the first exhibition of Aboriginal art taking place in Adelaide in the 1930s. It has also become a source of income and pride for remote Aboriginal communities. Additionally, it has sparked a revival and greater understanding of Indigenous culture, with collectors finding a deep connection to the powerful stories conveyed through the artwork.











































